In the eight post from Cinemata Features, advocacy filmmaker and educator Herwin Cabasal shares his film studies journey and how he supports young filmmakers in using the visual medium for social issue advocacy.
This sixth feature spotlights Anatman Pictures, a film production company based in Indonesia that creates commercial work to support the production of documentaries on the environment and social justice.
In the fifth post from ‘Cinemata Features’, Zayed Siddiki shares what’s it like working as an independent filmmaker in Bangladesh and how his work in the development communications sector influenced his practice.
In the fourth ‘Cinemata Features’ spotlight, Annisa Adjam speaks about Indonesia’s independent creatives fields and her work in establishing organisations that address industry gaps in film education and female representation.
In the third post for ‘Cinemata Features’, Aceh Documentary shares their work on producing high-quality documentaries on social issues and conducting filmmaking workshops to empower Acehnese people.
In the second post from the Cinemata Features series, Goethe-Institut Indonesia talks about their work focusing on media and technology, and how their programs contribute to discussions on digital transformation and its impact on society.
For the first post from Cinemata Features, film curator Rose Roque talks about the importance of her work as an archivist and why films about the Philippines’ martial law period are even more relevant in a time of disinformation.
