Blog
Developed in collaboration with IOTA Kreatif Media and Annas A. Aziz, Taksa is an interactive story game that invites players to re-evaluate whether critical thinking and digital literacy are truly detrimental to curb disinformation.
The report examines the security practices of journalists within and outside Myanmar and aims to understand gaps between the present-day digital security needs of activists and journalists and the training available in the digital security curricula.
The LGBTQI+ community in Bangladesh, already marginalized and residing in the shadows of conservative societies, faces a larger threat under repressive laws like the Cyber Security Act 2023 (CSA).
The 2023 Digital Rights Asia-Pacific Assembly public report is now available for download. We once again thank our DRAPAC23 funders, partners, and attendees for your support, participation, and feedback over the course of the event.
In this guest post, Visual Rebellion interviews Burmese anthropologist Chu May Paing to understand the motivations and significance of Burmese netizens’ use of social media in spite of the digital safety and security risks.
Last May 22-26, 544 participants from 35 countries convened in Chiang Mai, Thailand, for the Digital Rights Asia-Pacific Assembly, which provided a vibrant and inclusive space for networking, learning, collaboration.
The DRAPAC23 Assembly from May 22 to 26, 2023, will feature over 120 co-created sessions. Check out the list of sessions open to the public for Day 1, May 22.
In the fourth ‘Cinemata Features’ spotlight, Annisa Adjam speaks about Indonesia’s independent creatives fields and her work in establishing organisations that address industry gaps in film education and female representation.
Ahead of the 2023 elections in Thailand, EngageMedia, Asia Centre, and the Chiang Mai University-School of Public Policy present four key digital rights issues that political parties must include in their agenda to ensure a well-functioning democracy where citizens can hold their government accountable.
