Digital Rights: Posts

āļšāļ—āļ„āļ§āļēāļĄāļ—āļĩāđˆāđ€āļāļĩāđˆāļĒāļ§āļāļąāļš AI āļ—āļĩāđˆāļĄāļĩāļœāļĨāļ•āđˆāļ­āļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļŠāļīāļ—āļ˜āļīāļĄāļ™āļļāļĐāļĒāļŠāļ™āđƒāļ™āļ āļđāļĄāļīāļ āļēāļ„āđ€āļ­āđ€āļŠāļĩāļĒāļ•āļ°āļ§āļąāļ™āļ­āļ­āļāđ€āļ‰āļĩāļĒāļ‡āđƒāļ•āđ‰ āđāļ›āļĨāđ€āļ›āđ‡āļ™āļ āļēāļĐāļēāđ„āļ—āļĒāđāļĨāđ‰āļ§

āļ”āđ‰āļ§āļĒāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļ‚āļ­āļ‡āļāļēāļĢāđāļ›āļĨāļ‡āļēāļ™āđƒāļ™āļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļ—āļĩāđˆāđ€āļāļĩāđˆāļĒāļ§āļ‚āđ‰āļ­āļ‡āļāļąāļšāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāđ€āļŠāđˆāļ™āļ™āļĩāđ‰āļĒāđˆāļ­āļĄāļŠāđˆāļ§āļĒāđ€āļœāļĒāđāļžāļĢāđˆāļ„āļ§āļēāļĄāļĢāļđāđ‰āđāļāđˆāļœāļđāđ‰āļ—āļĩāđˆāļŠāļ™āđƒāļˆāđƒāļ™āļ āļđāļĄāļīāļ āļēāļ„āļ‚āļ­āļ‡āđ€āļĢāļē āļ‹āļķāđˆāļ‡āļĄāļĩāļ„āļ§āļēāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ—āļąāđ‰āļ‡āļ—āļēāļ‡āļ āļēāļĐāļēāđāļĨāļ°āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ āļˆāļķāļ‡āđ„āļ”āđ‰āđ€āļĨāļ·āļ­āļāđāļ›āļĨāļšāļ—āļ„āļ§āļēāļĄāļ—āļąāđ‰āļ‡āļŠāļēāļĄāļŠāļīāđ‰āļ™āļ‚āļ­āļ‡ Jun-E Tan āļ—āļĩāđˆāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļŠāļ–āļēāļ™āļāļēāļĢāļ“āđŒāļ‚āļ­āļ‡āļ›āļąāļāļāļēāļ›āļĢāļ°āļ”āļīāļĐāļāđŒ (Artificial Intelligence: AI) āđƒāļ™āļ āļđāļĄāļīāļ āļēāļ„āđ€āļ­āđ€āļŠāļĩāļĒāļ•āļ°āļ§āļąāļ™āļ­āļ­āļāđ€āļ‰āļĩāļĒāļ‡āđƒāļ•āđ‰āđ€āļ›āđ‡āļ™āļ āļēāļĐāļēāđ„āļ—āļĒ āđ‚āļ”āļĒāļ˜āļĩāļĢāļ”āļē āļ“ āļˆāļąāļ•āļļāļĢāļąāļŠ āļœāļđāđ‰āļ—āļĩāđˆāļĒāļīāļ™āļ”āļĩāļ­āļēāļŠāļēāļŠāļĄāļąāļ„āļĢāļĄāļēāļŠāđˆāļ§āļĒāđāļ›āļĨāļšāļ—āļ„āļ§āļēāļĄāđƒāļ™āļ‹āļĩāļĢāļĩāđˆāļĒāđŒāļ—āļĩāđˆāđ€āļāļĩāđˆāļĒāļ§āļāļąāļš AI āļ‹āļķāđˆāļ‡āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļ˜āļĩāļĢāļ”āļēāļ—āļģāļ‡āļēāļ™āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ›āļĢāļķāļāļĐāļēāļ—āļēāļ‡āļ”āđ‰āļēāļ™āļāļēāļĢāļ§āļēāļ‡āđāļœāļ™āļ™āđ‚āļĒāļšāļēāļĒāļ—āļēāļ‡āļ”āđ‰āļēāļ™āļāļēāļĢāļĻāļķāļāļĐāļēāļ‚āļ­āļ‡ UNESCO Paris āļŦāļĨāļąāļ‡āļˆāļēāļāļˆāļšāļāļēāļĢāļĻāļķāļāļĐāļēāļ—āļēāļ‡āļ”āđ‰āļēāļ™āļāļēāļĢāļŠāļ·āđˆāļ­āļŠāļēāļĢāļ”āļīāļˆāļīāļ—āļąāļĨ āļ”āđ‰āļ§āļĒāļ›āļĢāļīāļāļāļēāļ›āļĢāļąāļŠāļāļē (MPhil in Digital Communications) āļˆāļēāļāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ University of Westminster āđƒāļ™āļĨāļ­āļ™āļ”āļ­āļ™

āļšāļ—āļ„āļ§āļēāļĄāļ—āļĩāđˆāđ€āļāļĩāđˆāļĒāļ§āļāļąāļš AI āļ—āļĩāđˆāļĄāļĩāļœāļĨāļ•āđˆāļ­āļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļŠāļīāļ—āļ˜āļīāļĄāļ™āļļāļĐāļĒāļŠāļ™āđƒāļ™āļ āļđāļĄāļīāļ āļēāļ„āđ€āļ­āđ€āļŠāļĩāļĒāļ•āļ°āļ§āļąāļ™āļ­āļ­āļāđ€āļ‰āļĩāļĒāļ‡āđƒāļ•āđ‰ āđāļ›āļĨāđ€āļ›āđ‡āļ™āļ āļēāļĐāļēāđ„āļ—āļĒāđāļĨāđ‰āļ§

āļ”āđ‰āļ§āļĒāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļ‚āļ­āļ‡āļāļēāļĢāđāļ›āļĨāļ‡āļēāļ™āđƒāļ™āļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļ—āļĩāđˆāđ€āļāļĩāđˆāļĒāļ§āļ‚āđ‰āļ­āļ‡āļāļąāļšāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāđ€āļŠāđˆāļ™āļ™āļĩāđ‰āļĒāđˆāļ­āļĄāļŠāđˆāļ§āļĒāđ€āļœāļĒāđāļžāļĢāđˆāļ„āļ§āļēāļĄāļĢāļđāđ‰āđāļāđˆāļœāļđāđ‰āļ—āļĩāđˆāļŠāļ™āđƒāļˆāđƒāļ™āļ āļđāļĄāļīāļ āļēāļ„āļ‚āļ­āļ‡āđ€āļĢāļē āļ‹āļķāđˆāļ‡āļĄāļĩāļ„āļ§āļēāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ—āļąāđ‰āļ‡āļ—āļēāļ‡āļ āļēāļĐāļēāđāļĨāļ°āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ āļˆāļķāļ‡āđ„āļ”āđ‰āđ€āļĨāļ·āļ­āļāđāļ›āļĨāļšāļ—āļ„āļ§āļēāļĄāļ—āļąāđ‰āļ‡āļŠāļēāļĄāļŠāļīāđ‰āļ™āļ‚āļ­āļ‡ Jun-E Tan āļ—āļĩāđˆāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļŠāļ–āļēāļ™āļāļēāļĢāļ“āđŒāļ‚āļ­āļ‡āļ›āļąāļāļāļēāļ›āļĢāļ°āļ”āļīāļĐāļāđŒ (Artificial Intelligence: AI) āđƒāļ™āļ āļđāļĄāļīāļ āļēāļ„āđ€āļ­āđ€āļŠāļĩāļĒāļ•āļ°āļ§āļąāļ™āļ­āļ­āļāđ€āļ‰āļĩāļĒāļ‡āđƒāļ•āđ‰āđ€āļ›āđ‡āļ™āļ āļēāļĐāļēāđ„āļ—āļĒ āđ‚āļ”āļĒāļ˜āļĩāļĢāļ”āļē āļ“ āļˆāļąāļ•āļļāļĢāļąāļŠ āļœāļđāđ‰āļ—āļĩāđˆāļĒāļīāļ™āļ”āļĩāļ­āļēāļŠāļēāļŠāļĄāļąāļ„āļĢāļĄāļēāļŠāđˆāļ§āļĒāđāļ›āļĨāļšāļ—āļ„āļ§āļēāļĄāđƒāļ™āļ‹āļĩāļĢāļĩāđˆāļĒāđŒāļ—āļĩāđˆāđ€āļāļĩāđˆāļĒāļ§āļāļąāļš AI āļ‹āļķāđˆāļ‡āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļ˜āļĩāļĢāļ”āļēāļ—āļģāļ‡āļēāļ™āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ›āļĢāļķāļāļĐāļēāļ—āļēāļ‡āļ”āđ‰āļēāļ™āļāļēāļĢāļ§āļēāļ‡āđāļœāļ™āļ™āđ‚āļĒāļšāļēāļĒāļ—āļēāļ‡āļ”āđ‰āļēāļ™āļāļēāļĢāļĻāļķāļāļĐāļēāļ‚āļ­āļ‡ UNESCO Paris āļŦāļĨāļąāļ‡āļˆāļēāļāļˆāļšāļāļēāļĢāļĻāļķāļāļĐāļēāļ—āļēāļ‡āļ”āđ‰āļēāļ™āļāļēāļĢāļŠāļ·āđˆāļ­āļŠāļēāļĢāļ”āļīāļˆāļīāļ—āļąāļĨ āļ”āđ‰āļ§āļĒāļ›āļĢāļīāļāļāļēāļ›āļĢāļąāļŠāļāļē (MPhil in Digital Communications) āļˆāļēāļāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ University of Westminster āđƒāļ™āļĨāļ­āļ™āļ”āļ­āļ™

Problems in putting principles into practice: A critical view of AI ethics

In Part 2 of our series exploring existing artificial intelligence ethics and their shortfalls, we find that ethical principles and guidelines currently in use have limited substance in their content and also a high possibility of being used mainly as window dressing while diverting us away from more structural solutions such as legal regulations.

Series on AI and Southeast Asia now available in Thai

The need for accurate translations for English resources on technology continues to be necessary in order to reach a wider audience in our diverse region. In line with that thrust, the three-part series on artificial intelligence (AI) in the context of Southeast Asia by Jun-E Tan is now available in Thai. This AI series was voluntarily translated by Teerada Na Jatturas, a consultant with UNESCO with a postgraduate degree in Digital Communications from the University of Westminster.

Statement: Finas Act must be reformed to protect freedom of expression

We appeal to Finas to stay true to its role of “uplifting, nurturing and facilitating” the development of the Malaysian film industry, as stated in Section 6 (1) of the Finas Act, and not function against the interest of filmmakers. If Finas enforces regulations under the law to censor and penalise filmmakers, it will go against its own objective and purpose.

Artificial Intelligence Southeast Asia

A critical view of AI ethics: Looking at the substance of ethical guidelines

In the digital era, AI ethics are not enough to stop tech companies from generating huge amounts of profits amidst negative impacts on the environment and society. In this blog post, we have discussed the substance of ethical guidelines that have mushroomed in the recent years and found that the contents of these guidelines are mostly focused on narrow fixes and carry with them problematic blindspots which do not help with systemic solutions.

Excerpt: ‘Disrupted Geographies’ in the time of COVID-19

In an essay for the Network of Centers, EngageMedia executive director Andrew Lowenthal expounds on COVID-19’s impact on shifting geopolitics in the Asia-Pacific, as well as the future of our organisation’s work as a regional space-maker for discussions on video for change, open technology, and digital rights.